Forbidden Planet. I think the main reason is that the story plays more like a monster movie, the majority of which have no other plot than to just get scared, kill off the monster, end of story. In this case the monster is not even an alien or the result of some experiment gone wrong - it's just the manifestation of someone's mind. What really puts it into the science fiction category is the fact that it takes place in the future, on another planet, and the technology that causes the raucous was left behind by an alien race which we hear nothing else about except that they invented a bunch of cool gadgets. Change the mode of that last point and we could set the same story in any other place and time. But given the status of the film in the genre's history, I had to try to explore what it is that puts it there in the first place. So here goes...
You can't deny that the much of the appeal of the film, and also its subsequent influence, is attributable to the "look and feel" of it. The space ships, suits, and planet terrain all have that great 1950's retro look without feeling campy. The special effects were very well done for that time, particularly the animated layovers of the monster and the design and operation of the robot named Robby.
Lost In Space and of course, C-3PO and R2D2. Given the amount of money spent on production, it is no accident that they did a good job in that department. The robot costume continued to appear as various characters and cameos in many films following, up into the late 1980's. I also tend to wonder if the films references to Freudian concepts of the subconscious may have been more generally known and accepted in American culture at that time.
Wikipedia entry. I've always known that the script was well put together from a purely literary standpoint, and it appears that's a generally held opinion. Some people see parallels with Shakespeare's The Tempest. This is made even more significant when you consider that most sci-fi films of the 1950's had pretty horrible scripts. Another thing that is mentioned is that it was the first film to take place entirely in deep space. I thought Buck Rogers spent most of his time out there, but maybe that doesn't count because it was a serial rather than a full length film. And going back to the special effects, it won the academy award for that year in the category. A sci-fi film winning for special effects? What else is new? It seems to me that what gives the film its status is that because it was such a well done movie in both script and production, it lent credibility to many of the story telling devices that would later be copied and used again and again. Force fields, transporters, laser weapons, it's all there. That kind of influence deserves some credit simply because of the osmosis effect. You can get a feel for the sets from the trailer below. Notice the Star Wars like introductory text moving off in the distance:
As a final follow up, I took the time to re-watch the film in its entirety. I found that I could enjoy it more as an adult than when I was a teenager, and I was able to notice a few more things that stuck out. The first was that there is no musical score per se. The soundtrack is a strange combination of electronic computer sounds, mostly resembling the computers of the 1950's. I'm not sure about its effectiveness but it certainly is unique. The other surprise was how cerebral the script seemed. Everyone was always giving analytical conjectures and explanations of things which were not particularly interesting and that kind of took away from the drama at hand. It was also interesting to see how future technologies were represented in that era when real thought was put into it. Imagine using a bona fide flying saucer as a future earth ship a decade later, after the flying saucer came to represent alien technology rather than human. In the beginning, the ship is supposed to be traveling at light factor speed, but when they have to land, they all get into this transporter like device which makes them disappear during the deceleration period. I thought it was very cool, since no script writers today even bother to tackle the g-force problem in high speed space travel. In this film, they created a new technology to take the humans out of the equation. The new device may be just as implausible, but at least they had enough respect for the audience to take it into consideration. Anyway, after this second watch, I would not change anything I've said about this classic piece of sci-fi film history.
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